\n120×90 cm
\nOlio su tela
\n2018
\n–
\n
![\"linette1\"](\"http:\/\/artcontest.biancoscuro.it\/site\/wp-content\/uploads\/2015\/03\/linette1.jpg\")
<\/p>\nThe hitter
\n120×90 cm
\nOlio su tela
\n2018
\n–
\n<\/p>\n
Masin Mauro <\/strong>(Treviso\u00a0\u00a0– Italy)<\/em><\/p>\n School education: Exhibition: Strongly influenced by the works of Edward Hopper, Italian artist\u00a0Masin Mauro\u00a0has created a stylized realism laced with elements of noir. In recent years, Mauro has pushed back against the idea of \u201cart as a casual thing supported by speeches,\u201d urging a return to the pursuit of aesthetic beauty. His figures are indeed beautiful, often caught in wistful moments, unaware of the voyeurs before them. Though he calls another continent home, the conversation continues between Mauro and his idol. \u201cThe culture of Veneto has inevitably influenced me,\u201d he says, \u201cbut I feel American in art.\u201d<\/p>\n Agor\u00e0 Gallery (New York) Vote for this artwork!<\/strong>\u00a0Please click\u00a0Facebook like<\/strong>,\u00a0Twitter, Pinterest<\/strong>\u00a0and\u00a0Google plus<\/strong> The hitter 120×90 cm Olio su tela 2018 – Masin Mauro (Treviso\u00a0\u00a0– Italy) School education: \u2043\u00a0 \u00a0 \u00a0 \u00a0Diploma at technical institute geometri Einaudi in Montebelluna \u2043\u00a0 \u00a0 \u00a0 \u00a0attended…Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":7607,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"image","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-7606","post","type-post","status-publish","format-image","has-post-thumbnail","hentry","category-pittura-painting","post_format-post-format-image"],"jetpack_featured_media_url":"https:\/\/artcontest.biancoscuro.it\/site\/wp-content\/uploads\/2018\/06\/the_hitter.jpg","jetpack_sharing_enabled":true,"jetpack_likes_enabled":false,"_links":{"self":[{"href":"https:\/\/artcontest.biancoscuro.it\/site\/wp-json\/wp\/v2\/posts\/7606","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artcontest.biancoscuro.it\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artcontest.biancoscuro.it\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artcontest.biancoscuro.it\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artcontest.biancoscuro.it\/site\/wp-json\/wp\/v2\/comments?post=7606"}],"version-history":[{"count":2,"href":"https:\/\/artcontest.biancoscuro.it\/site\/wp-json\/wp\/v2\/posts\/7606\/revisions"}],"predecessor-version":[{"id":7619,"href":"https:\/\/artcontest.biancoscuro.it\/site\/wp-json\/wp\/v2\/posts\/7606\/revisions\/7619"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artcontest.biancoscuro.it\/site\/wp-json\/wp\/v2\/media\/7607"}],"wp:attachment":[{"href":"https:\/\/artcontest.biancoscuro.it\/site\/wp-json\/wp\/v2\/media?parent=7606"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artcontest.biancoscuro.it\/site\/wp-json\/wp\/v2\/categories?post=7606"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artcontest.biancoscuro.it\/site\/wp-json\/wp\/v2\/tags?post=7606"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\u2043\u00a0 \u00a0 \u00a0 \u00a0Diploma at technical institute geometri Einaudi in Montebelluna
\n\u2043\u00a0 \u00a0 \u00a0 \u00a0attended for three years the University of Padova Faculty of Physics.
\nArtistic training completely self-taught.<\/p>\n
\n\u2043\u00a0 \u00a0 \u00a0 \u00a0Collective exhibition \u201cMostra d’arte\u201d at the polifunzionale di Vidor 17-23 May 2010.
\n\u2043\u00a0 \u00a0 \u00a0 \u00a0Publication of one artwork in the catalog of 1\u00b0 Effetto arte award.
\n\u2043\u00a0 \u00a0 \u00a0 \u00a0Personal exhibition at the \u201cprimavera del prosecco\u201d, polifunzionale di Vidor 25 February-11 March 2012.
\n\u2043\u00a0 \u00a0 \u00a0 \u00a0Collective exhibition \u201cPiero Della Valentina\u201d 2012 Cordignano.
\n\u2043\u00a0 \u00a0 \u00a0 \u00a0Collective exhibition \u201cConfronti\u201d Ca’ dei Carraresi, Treviso 15-23 June 2013
\n\u2043\u00a0 \u00a0 \u00a0 \u00a0Collective exhibition \u201cFiguratively speaking\u201d, New York, 7-27 February 2014
\n\u2043\u00a0 \u00a0 \u00a0 \u00a0Collective exhibition \u201cArtistic confessions\u201d, Elbschloss Residenz, Hamburg April 12-Mai 7 2014
\n\u2043\u00a0 \u00a0 \u00a0 \u00a0Collective exhibition \u201cSpectrum Miami\u201d at Euart Panorama Europa stand, 3-7 December 2014, Miami.
\n\u2043\u00a0 \u00a0 \u00a0 \u00a0Collective exhibition \u201cBiennale di Palermo\u201d 11-25 January 2015, Palermo.
\n\u2043\u00a0 \u00a0 \u00a0 \u00a0Collective exhibition \u201cPremio Guglielmo II\u201d 21-29 March 2015, galleria civiva Giuseppe Sciortino, Monreale.
\n\u2043\u00a0 \u00a0 \u00a0 \u00a0First place in the selections for \u201cARTPROTAGONIST 2015\u201d November 14-December 27 2015, Villa Contarini, Piazzola sul Brenta, Padova.
\n\u2043\u00a0 \u00a0 \u00a0 \u00a0One of the selected artists in the 32nd Chelsea international fine art competition; 19-30 August 2017, New York.
\n–\u00a0 One of the selected artists in the BIANCOSCURO ART CONTEST 2017 with the artwork
\n\u201cBedroom\u201d.<\/p>\n
\nThe art of Mauro Masin, an Italian self-taught painter, is perhaps more ”real” than what we would expect from the ultimate realistic art. The sensibility of Masin, in fact, is such that it is able to make the simplicity sharply true, sometimes even more true than the realism itself.
\nThere is no pretense in his representations, nor in his sensibility, which reaches clearly and directly into the eye of the beholder.
\nMasin tends to label his work with the term ”realism”, and after all, it could not be otherwise; However his realism seems to be so well done, that it is hard not to see some features\u00a0of our personal life in the images the painter portrays: it is a realism of a silent stationary and timeless world.
\nAs Masin himself claims, his painting follows the taste of the American Edward Hopper, especially for the light choice. The light in his painting is expressed by a penetrating chiaroscuro that makes Masin’s pictorial talent highly sophisticated. In his work taste, talent,\u00a0colors’ harmony\u00a0and artistic sensibility are blended together; it is a work of choices, rather than creations, it is a silence work, which has no interpretation key.
\nMasin’s pictures speak for themselves, his aim explains itself and at the same time concludes itself in the\u00a0women faces\u00a0he use to portray, into light and darkness in which his attention focuses on.
\nThe painter’s presence is invisible: he seems to intent to leave alone his landscapes and his figures, just in the way they are in real life; he seems to appreciate the world that, at the same time, he wants not to be involved\u00a0in, he seems to love women as beings, while at the same time being completely unrelated to them.
\nMartina Biz<\/p>\n![\"linette2\"](\"http:\/\/artcontest.biancoscuro.it\/site\/wp-content\/uploads\/2015\/03\/linette2.jpg\")
<\/a><\/p>\n
\nVota questa opera!\u00a0<\/strong>Clicca\u00a0Mi piace<\/strong>\u00a0su Facebook<\/strong>,\u00a0Twitter, Pinterest<\/strong>\u00a0e\u00a0Google plus<\/strong><\/p>\n<\/p>\n","protected":false},"excerpt":{"rendered":"